Theme for This Season: Survival  


Survival can be understood as the continuation of life or existence. On the other hand, survival can also be defined as a justification for horrific actions. Requiring various perspectives to find a moral grounding, survival exists in a suspended space between honour and destruction. This season, our two main plays aim to look at these opposing ideas of what it means to survive. Be it locking yourself away from the unknown, refusing to look back, or barely scraping by, our pieces for 2018/2019 are poised to find out 



STC Debuts With: Who Put Bella in the Wych Elm?    


21:30 October 15th at the Old Red Lion Theatre in London, UK

Thank you for joining us for this projection!



“There’s a man in the woods, did your mother ever tell you that?”

There is a limit to how much you can love your child.

Russell knows that now.

Desperately trying to piece together the warning signs surrounding his alienated son Dean, Russell dives further and further into reliving the mess his son’s made. Hiding in a storm drain in the Nebraskan woods, he begins to see the extent of his neglect. Too bad it’s too late.

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Somna Theatre’s Who Put Bella in the Wych Elm makes its London debut at the 2018 London Horror Festival, following consistent success on the Scottish Festival circuit. Brimming with suspense and intrigue, “Bella” drip-feeds you the story of a father and son, and how their failure to connect brings drastic, bloody consequences. Bedlam Theatre Director Carmen Marcon writes “I can quite confidently say that I have not seen anything like Who Put Bella in the Wych Elm,” and we assure you, you never have.

Who Put Bella in the Wych Elm? asks how far a parent can be tested; can they still forgive their own child if the world no longer sees them as human?


As Russell learns,

Sometimes you can’t.

You just can’t.

Written & Directed by Morgan Noll

Performed by Robbie Heath

Set Design, Light Design and Stage Management by Lars Davison

Review: London Pub Theatres Magazine



The Pitchfork Disney: Cast + Crew Callout!  


April 5-6th 2019.

“Darwin got it all wrong, you see. Fitness has nothing to do with it. It’s survival of the sickest. That’s all.”

Phillip Ridley’s The Pitchfork Disney takes the challenge of survival to it’s logical conclusion. In a world that has already fallen to pieces, what does it take for individuals to persist, let alone survive?

Maybe you’re a choc-a-holic. A drug fiend. A sadist. Maybe you’re just perfect. In any case, we all have our own ways to get our backs off of the wall. The Pitchfork Disney weaves together agoraphobic tension and dark, bloody glamour, showcasing a cabaret of toxic people, getting by.

Want to get involved with this production? Follow our submission forms below depending on your interests (production or cast).

Please submit your forms by Midnight of January 5th.

*We are an emergent company, and while our intent is to profit-share if possible, we cannot call this a paid position. We can however, guarantee full credit for your participation and the option to stay on with us, facilitating our collaborative growth as a company.

PRODUCTION TEAM Submission Form:

CAST Audition Slot Sign Up Form: